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Somewhere between the blue sky and the green earth
2024 – Digital HD – 5 min (Dance Video)
Berlin Dance Institute︱Cinema Povera
collaboration with Camila von Hein
Choreography and Dancing – Camila von Hein
Filming and Editing – Vincent Jondeau
Music – Atlas Glaas
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Synopsis
A young woman in a sea of green – searching for something, maybe herself. She seems to be moved, to be torn. Tension is rising – until the fall: Giving birth to a new co-construction of the self with the earth
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Push and pull, resisting and being moved.
Travel through by energies, expectations, demands.
Getting lost, move around like a child that jump in the waves.
Not knowing where is up and where is down anymore.
Balance is not opposition, not moving but choosing how to follow the flow of energy.
Giving in but not giving up.
Finding oneself again on the axis between the sky and the earth
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Improvisation on “Tränen der Musen” by Jörg Widmann
2024 – Digital HD – 4 min (Dance Video) / Berlin Dance Institute
collaboration with Camila von Hein
Choreography and Dancing – Camila von Hein
Filming and Editing – Vincent Jondeau
Music – “Tränen der Musen” by Jörg Widmann (1993) ©
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Description
Improvision based on the composition ‘Tränen der Musen’ (1993) by Jörg Widmann. In a dance studio, a woman explores sound and affective textures alternating subtly between melancholy and dramatic intensity.
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HAUS
2025 – Digital 2K – 5 min (Movement art Video) / Cinema Povera
collaboration with Camila von Hein
Choreography and Performing – Camila von Hein
Filming and Editing – Vincent Jondeau
Music – Atlas Glaas
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Synopsis
A house, a family, 60 years. The room soaked in memories, emotions, experiences, routines, rituals. The house stays, the people leave, the things disappear, the traces fade. The memory loses its material anchor and now needs a new home
What happens when memory — along with the experiences, rituals, and futures it carries — loses its material anchor? When the furniture, paintings and walls that once held certain sensations gradually crumble. And with them, the certainty of permanence. These are the questions that dancer Camila von Hein and filmmaker Vincent Jondeau address in their video “capsule” HAUS, on the occasion of the liquidation of her grandmother’s house. The space itself holds traces — memories infused into the walls, the furniture, the air. Even emptied of its inhabitants, the house seems to breathe its past, making it present once more for those who enter. Through the medium of movement art and film, they attempt to capture the process of spectralization at work in this space emptied of its humans. The walls and objects still physically there gradually discharge the energies and vibrations they contain under the camera’s gaze, while the dancer’s body incorporates a memorial substance destined to become blurred and permeable.
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